What an incredible episode. Firstly congratulations to this episode's
writer, Gareth Roberts. The episode was beautifully written. The gist of the episode is the alien
is a vespiform which is a wasp like creature than take on human form. The setting is a stately home in the 1920's and
it has a Cluedo feel about the beginning of the episode with the Reverend being dispatched of in the library with lead piping.
However, a very special guest is then introduced, she is the one and only Agatha Christie (played magnificently by Fenela
Woolgar.) There is also a sub-plot of a jewel thief called the "Unicorn" on the loose.
The story takes all twists and turns and further murders and the Doctor,
Donna and Agatha solve the mystery themselves. The storyline itself is very clever but what I really appreciated
tonight was the magnificent wit in managing to put so many references to Agatha Christie's books in the storyline without
making the references clunky and clumsy. There was sparkling cyanide, the body in the library, murder at
the vicarage to name a few but it was added to the plot with great care and humour. I especially loved
the comments by Donna such as giving Agatha Christie the name of "Miss Marple" as a character and "Murder on
the Orient Express" as an idea and then saying just put "copyright Donna Noble." There were also hilarious moments
of dialogue between the Doctor and Donna about Dickens being surrounded by ghosts and Enid Blyton's Noddy being real.
Also the mystery of Agatha Christie's disappearance itself was added into
the plot in that she disappeared and had her memory wiped by the Vespiform as it was dying as it had linked itself to Agatha's
brain!
The episode had its fair share of shocks and tensions with some gruesome
murders and spooky house moments. The revelation that the jewel thief, the Unicorn, was a guest at the house.
It was all good detective novel stuff with a twist of sci-fi. It felt to me that this was written as a homage to Agatha
Christie's work but again, as in the Shakespeare Code, the team acheived this in such a way that was able to mix both styles
perfectly which is no mean feat!
The acting was superb by all concerned. Felicity Kendall was
probably one of the biggest names in the episode tonight. I must admit although she is one of our most versatile actresses
on stage and screen I never thought I see her being chased by a giant wasp!!
Also I have to say the costumes tonight were excellent the team really do
come up trumps every time there is a period piece to do. These always tend to be my favourite episodes and tonight
was no exception.
This episode has put me in mind to start reading Agatha Christie again.
I have not read her books in years and I think it's about time I re-read them! I really feel this episode will
be nominated for an award.
Perfection tonight, just total Doctor Who entertainment.
A truly excellent 10 out of 10.
Name: Zoe Brown | Age: 28
It’s
become something of a tradition on Doctor Who, particularly in recent years, to produce episodes where the Doctor has
an encounter with a famous figure from history. These have since become known as ‘celebrity historicals’,
and in the most recent series have featured Charles Dickens, Queen Victoria, and William Shakespeare. Having
mentioned to Martha in Last Of The Time Lords that he’d always wanted to meet Agatha Christie, this week the
Doctor’s dream finally comes true when he and Donna land in the grounds of an English country house in 1926, where Agatha
Christie is attending a party, on the day she famously disappeared for ten days with no explanation. The
Doctor is excited that they will finally be able to find out what happened to her, but one of the party guests seems intent
on acting out one of Agatha Christie’s murder mysteries for real. It’s up to the Doctor and
Donna to solve both cases, with a little help from Agatha herself.
Right from
the pre-credits sequence, all the key components of the murder mystery genre are in place, and make numerous appearances throughout
the episode. Professor Peach is murdered, in true Cluedo style, with a section of lead piping in
the library, and in the meantime, the suspects are assembled outside at the garden party, all clearly with something to hide.
When the Professor’s body is eventually discovered, the Doctor, having blagged his way into the party, announces
that he is in fact Chief Inspector Smith of Scotland Yard, and Donna is “the plucky young girl” who assists him
(with the help of the psychic paper). The party guests are then all questioned one-by-one in the drawing
room, but none of them seem to have a satisfactory alibi for their whereabouts whilst the murder was taking place.
After investigating each suspect in turn, the Doctor finally summons them all back to the drawing room where he (and
Agatha Christie) explain the case and reveal the murderer.
There are
usually several references to past episodes and storylines in each episode of Doctor Who, but this one is absolutely
crammed with them. Since Gareth Roberts, who wrote this episode, also wrote The Shakespeare Code,
it comes as no surprise that there are several references to this episode: when the Doctor introduces Donna to Lady Eddison,
she immediately starts speaking in an RP (Received Pronunciation) accent in an effort to blend in, just as Martha had started
speaking in what she perceived to be a Shakespearean accent in The Shakespeare Code (and both times the Doctor tells
them to stop); Donna asks Agatha Christie about mystery titles and characters that she hasn’t thought of yet (such as
Murder On The Orient Express and Miss Marple), again just as Martha had done with Shakespeare; and at the end of the
episode we see that the Doctor, true to his word, did indeed keep the imprisoned Carrionites stored in the TARDIS.
There are
yet more references, this time to Agatha Christie’s novels – far too many to list them all here, but some of the
more prominent ones were They Do It With Mirrors, Sparkling Cyanide, Nemesis, and Dead Man’s
Folly. Her most famous characters, Miss Marple and Hercules Poirot, are also mentioned, together with
Poirot’s famous catchphrase, “the little grey cells”. As many of these titles had not
yet been written, it is implied that it is thanks to Agatha Christie’s encounter with the Doctor that they were thought
of – both she and Shakespeare seem to be at a point in their lives where they are doubting their own abilities and talents,
even suffering from writer’s block to an extent, and the Doctor apparently has a talent for unblocking great minds and
setting them back on the right path.
Since this
is Doctor Who, a conventional murder mystery of the type that Agatha Christie wrote would be too ordinary, so an alien
element is introduced in the shape of the Vespiform, a giant wasp-like creature. The Doctor soon deduces
that the Vespiform is the true form of one of the guests (who is also the murderer), but despite his best efforts, he is unable
to unmask the culprit without Agatha Christie’s help. As with all the best murder mysteries, the
killer is always the character that you least suspect, in this case the Reverend Golightly, who is quiet and unassuming on
the surface, but, when angered, transforms (in a style reminiscent of The Incredible Hulk) into the Vespiform.
However, there is a sad element to his story when it’s revealed that he is in fact the long-lost son of Lady
Eddison, the result of a doomed love affair whilst living in India forty years earlier. Lady Eddison was
fully aware that her child’s father was also a Vespiform, although
he seemed to have come to Earth merely to observe the planet, rather than kill people. The motive for Reverend
Golightly’s murderous spree is primarily to reclaim his rightful inheritance, but he has been confused into thinking
that reality is like an Agatha Christie novel because Lady Eddison was reading one of her novels whilst wearing the Firestone
necklace, which was in actual fact a Vespiform telepathic recorder. This in turn became connected to Agatha
Christie herself, as the writer – when the recorder (and the Vespiform) were destroyed, the same fate nearly befell
her, but instead caused her to have amnesia and consequently led to her disappearance.
Having established
that the Vespiform is the ‘wasp’ of the title, there was some confusion as to who, or what, the ‘unicorn’
was. We discover that the Unicorn is in fact a notorious jewel thief who, not content with the bright lights
of London , has apparently travelled out to the country in pursuit of Lady Eddison’s Firestone necklace, in the guise
of society darling Robina Redmond. However, once she’s been caught red-handed with the necklace and
been forced to return it, nothing further is said, and the plotline only seems to have been included in order to provide an
intriguing episode title.
So far,
this series has been very dark, with each episode hinting at even darker events to come, so it was very welcome that this
episode was largely comic – in fact, so many of the clichés and stereotypes of the murder mystery genre were used that
it was almost in danger of slipping over into parody. However, there were two scenes that, whilst still
being good fun, didn’t really lend themselves to the plot, and seemed slightly unnecessary – the first being the
flashback sequence where the Doctor reminisces about trying to find Charlemagne in Belgium . Even though
it was great to see the Doctor in a forest with a quiver of arrows (I even wondered if it was a sly dig at Robin Hood
at one point), it only seemed to exist purely to allow the Doctor to have a flashback of his own, since we’d just seen
flashbacks for all the other characters whilst they were being questioned. The other scene was the Doctor’s
poisoning – even though it was absolutely hilarious, it seemed purely to be a device to enable the Doctor and Donna
to kiss, but still maintain the status quo of just being friends. Interestingly, it must be one of the
few occasions where the companion hasn’t really enjoyed kissing the (Tenth) Doctor, judging by the awkwardness between
them afterwards – there certainly doesn’t seem to be any danger of Donna following Rose and Martha’s example.
However, it was never explained whether it was in fact the Vespiform that had poisoned the Doctor – remembering
the look that the butler gave the Doctor when he gave him his drink, I was quite sure that this time, it was in fact the butler
that did it, but it was never alluded to again once the Doctor had been ‘cured’.
Although
the episode was more comedic than usual, the majority of the performances were completely serious. As befits
an Agatha Christie murder mystery, we had to have several famous guest stars, namely Felicity Kendal as Lady Clemency Eddison,
although she didn’t have a great deal of screen time. By far the most significant guest star was
Fenella Woolgar as Agatha Christie – as is the case whenever the Doctor teams up with another great mind, they sparred
very well with each other, and despite her curiosity about the Doctor’s true identity, she put this to one side and
they became great sounding boards for each other’s theories. Fenella Woolgar had previously worked
with David before in the film Bright Young Things (2003), and it was David who had suggested Fenella for the role.
It’s clear that they’re good friends off-screen, and this communicates very well on-screen.
Donna is
no longer the ‘newbie’ in the TARDIS, and it now feels like she’s been there forever. She’s
quite used to being sent off by the Doctor to investigate on her own, and again she and the Doctor largely work alone, coming
together again at the episode’s conclusion. Catherine Tate’s comedy credentials have never
been in doubt, and she has some great scenes here, most hilariously when she’s trying to decipher the Doctor’s
frantic miming in the kitchen whilst trying to find an antidote to the poison. Donna’s constant eating
whilst the Doctor and Agatha Christie were revealing the murderer’s identity was also very funny, and reminded me very
much of David’s character from Blackpool, DI Peter Carlisle, who seemed to be eating in every scene.
David rarely gets the chance to show his comedic talents whilst playing the Doctor, and here he was again able to demonstrate
his brilliant timing and knack for physical comedy – I felt particularly sorry for him during the scene in the kitchen,
as not only did he have to ruin his suit by pouring ginger beer (actually water) over himself, but then had to eat pickled
walnuts and anchovies – I can only hope that he didn’t have to eat these items for real (and if he did, he only
had to do it once)!
Whilst the
Doctor Who purists may not have enjoyed this episode, I thought it was brilliant – having watched many film and
TV adaptations of Agatha Christie’s work over the years, I’d often wondered about the author’s actual life,
and while it’s highly unlikely that her disappearance had anything to do with giant wasps, it was an entertaining theory,
since the real explanation has never been documented. There is such a wide scope of historical figures
for the Doctor to cross paths with, there’s no shortage of material, as you can insert him into any period, and we wait
to see which historical figure he’ll be meeting next, but I wouldn’t be surprised if it was Queen Elizabeth I!
There’s
a sense that, as we now begin to turn our attention towards the remaining episodes of the series, events will take a darker
turn once again. Donna once again commented that the bees were disappearing, and this must surely have
a bearing on the concluding episodes, although we’re not sure exactly what that is. With another
enforced break for Eurovision, this seems to be a good place to pause for now.
Zoë’s
Rating: 9/10
Name:
Julie Bayman | Age: 53
Professor
Peach, in the library, with the lead pipe!
This episode was an Agatha Christie “whodunnit”, only “Who”
hadn’t done it; he was busy having cocktails on the lawn with Donna.
The TARDIS lands in the beautiful gardens
of a big house. The Doctor
instantly smells grass, lemonade and a hint of mint and from this he is able to work out
that it is the 1920s. The lady of the house, Lady Eddison, is having a garden party and the guests are starting to arrive.
“Never mind the planet Zog, a party in the nineteen twenties, that’s more like it!” calls out an excited
Donna. The Doctor is then kept waiting while Donna changes into suitable attire: how lovely to have a companion who
likes to dress to suit the occasion and the Doctor actually tells her that she looks lovely. They manage to get themselves
admitted (with the help of the psychic paper of course!) and soon discover that the celebrity guest is Agatha Christie herself
and it is the day that she mysteriously went missing and
was found ten days later suffering from amnesia, her car having
been found by a lake. It’s not long before Chandrakala, a servant, comes running from the house screaming – she
has found a body in the library. Then not long after that she is killed when a strange buzzing sound is heard and a
large gargoyle from the roof falls on her. On hearing her screams the Doctor and Donna run from the library to investigate;
it was a bit like watching a scene with D.I. Barnaby and Sergeant Scot from Midsomer Murders! As well as all this, jewelry
is being stolen in mysterious circumstances and the thief is known as the “Unicorn.”
All the guests are
hiding a dark secret and Agatha Christie soon exposes one of them. The “Unicorn” turns out to be a young
lady from London, who is a common thief, “It’s a fair cop” she replies after being rumbled by Agatha.
She
has just stolen a firestone necklace from Lady Eddison and it appears to be connected to the murderer.
Soon people
are dropping like flies and everyone is a suspect: someone even tries to poison the Doctor! Of course it doesn’t work:
he knows how to treat cyanide poisoning. We then see one of D.T.’s wonderfully funny manic scenes (this is the
first one this series, I think.) He rushes to the kitchen to find an antidote, which comprises ginger beer, something
salty (anchovies) and some protein (walnuts). He guzzles down the ginger beer and thenbecause he is doubled up with
pain he has to mime to Donna what he needs next. She treats this like a game of charades and the whole thing is hilarious.
Later on, whilst all the guests are eating dinner during a violent thunderstorm, the room is suddenly plunged into darkness.
The
window flies open and the strange buzzing sound is heard. When the lights come back on Lady Eddison’s son,
Roger, is slumped forward with his face in a bowl of soup and he has a knife in his back! (Where is Poirot when you need him?)
It’s a sad day for Colonel Hugh and Lady Eddison. The Doctor soon has it sorted. He worked out earlier on that
the murderer was a Vespiform and now he notices that Reverend Golightly is acting very strangely. He is twitching his neck
and saying, “Lady Eddizzzon”. “Lady Who? A little bit of buzzing their Vicar!” the Doctor calls
out pointing to his throat. “You Humanzzz,” replies the Vicar and then turns into a giant wasp. Apparently
this is something that happens when he becomes angry.
Forty years ago Lady Eddison returned from India after having
an affair with a man who turned out to be an alien. He gave her the firestone necklace as a gift and then he was killed
in the flood of the great monsoon in 1885.
After finding out that she was pregnant, Lady Eddison locked herself in a room
for nine months and then sent the baby to an orphanage – the baby was Reverend Golightly! The giant
wasp connected itself to Agatha Christie, because Lady Eddison happened to be reading one of her books. Realizing this
Agatha uses the firestone to lure the wasp to the lake, closely followed by the Doctor and Donna. The Doctor tries to
reason with the wasp but it doesn’t work, so Donna throws the necklace into the lake and the wasp follows it and drowns.
“Donna, that thing couldn’t help itself” the Doctor tells her in a soft tone, then Agatha collapses and
the Vespiform lets her go and wipes her mind of all that had happened. It seems that in the end
the creature decided
to save someone.
This was a lovely episode and has to be one of my favourites. I loved the English Country House
ambience and the tongue in cheek of it all: I think that’s because I love Agatha Christie’s Piorot and Miss Marple.
I liked the clever way that book titles were incorporated in the script and the way the whole thing was done just like a proper
Agatha Christie murder mystery. The special effects were good and the arts department has to be congratulated.
At
the end, the Doctor produces a trunk from the bowels of the TARDIS and it contained Death In The Clouds, one of Agatha Christie’s
books, which were still being read in the year five billion, a lovely touch. Once again there were lots of well-known
actors who all performed wonderfully, especially
Agatha, who was played by Fenella Woolgar (an excellent choice).
D.T. was particularly manic in this episode, which went very well with the whole thing; and when he shouted “maiden!”
I’m sure the actress didn’t expect it, because the way she jumped was very realistic.
Marks: 10/10
Name:
Alex Werra | Age: 15
I’ve grown up watching
Agatha Christie adaptations on television, and absolutely loved them, so naturally was very excited for “The Unicorn
and the Wasp”. I also love everything about the 1920’s, including the buildings and clothes; so really, it was
like the perfect episode.
In a nutshell, “The Unicorn
and the Wasp” was about The Doctor and Donna travelling to an upper class household in the 1920’s, on an evening
where the house was full of guests including the wonderful, Agatha Christie. Naturally, there is a murder in the study, and
it is up to The Doctor and Donna, to solve it, with a little help from Mrs. Christie, of course. Throw in a bit of a massive
wasp/human going mental, and The Doctor being poisoned, and that’s basically it.
This has to be the funniest
episode so far. Seriously, it was so full of witty one liners; there was literally a laugh a minute, without the episode becoming
a farce. I reckon the director just said to Catherine Tate “Go for it” at the beginning of filming, and the result
was amazing. It actually was just a chance for her to showcase how funny she is, and what she can do. The posh British accent
bit, right at the start, reminded me of when Rose did her little Scottish accent way back in Tooth and Claw, because The Doctor
was all “No, don’t do that” just like in this episode. Another reminder of Rose was when Donna talked, about
meeting Charles Dickens surrounded by ghosts at Christmas, some irony, I feel there.
Donna, in this episode was kind
of in awe of the situation, but having fun with it at the same time. She has a certain quality within her character that allows
her to bond and communicate with people very easily. For example, she finds it easy to empathise with Agatha
in this episode. Bonding over their misfortune with men “Mine was with a giant spider”, and helping Agatha realise
she can do things.
I particularly enjoyed the type
of people that were incorporated in the story, the Vicar, the Upper Class family, The Socialite, the Butler, because it did
actually feel like an Agatha Christie novel. I was half expecting a little Belgian man with a moustache to knock at the door
any second, surprisingly, this was a role filled by the Doctor, and “The plucky young girl that helps him out”.
It was a truly original take on an episode of Doctor Who, really interesting to watch develop, even if,
at some points predictable. What was good, was the fact that the Alien wasn’t just there to take over the world like
they usually are, it was there because it had only just discovered itself, and couldn’t help itself. It was also different
in the sense that it was half human, so when Donna drowned it at the end of the episode, its end was a bit more emotional
than usual; I mean it was someone’s child.
The scene where The Doctor was
poisoned was rather genius. The exclamation of “Ginger Beer” at Roger’s footman, and the whole miming words
to Agatha and Donna was very funny. The best part being when Donna is like “It’s a song” with accompanying
jazz hands. Then of course finally, the somewhat fantastic but unexpected kiss from Donna unto The Doctor. It was just one
of the things that made the episode. I’m sorry but nobody does manic acting quite like David Tennant, it’s the
eyes, I swear.
Speaking of the whole Roger
and his footman thing, that must have been a first for Doctor Who. I mean, Captain Jack’s antics are a thing in their
own right, but an actual gay relationship that was very clear, was, I suppose, refreshing. If not also pushing the boundaries
for a primarily children’s programme. I thought it was done very tastefully, and adorably, unlike in some of the Torchwood
episodes I have seen.
The naming and shaming scene
was also one to remember, with Donna sat there in suspense, like she was eating popcorn at the cinema. The confession of The
Unicorn, and the Colonel’s admission. Agatha’s line “Actually, I had no idea; I was just going to say you
are completely innocent.” Then the revelation that the Reverend was the Vespiform.
The cleverest part of the story
was that it explained Agatha Christie’s amnesia. I love it when Doctor Who ties itself in with real happenings in history,
like the lost plays of Shakespeare, or the real reason behind Pompeii.
Favourite line : “Flapper,
or Slapper?” Also, “When I say giant wasp, I mean a wasp that’s giant.”
I really do love Catherine Tate.
I give “The Unicorn and
the Wasp, 8/10. Purely because, the emotional factor wasn’t there like last week.
Name: Emily Cook | Age: 14
I really, really, really, loved this episode. At my youth club (on Friday night) we had just done a murduer mystery so
I found it very relevant. I always love the episodes in the past, and especially the ones where the Doctor meets famous historical
people. This time Agatha Christie. There were many connection to the whole theme of murdure mysteries and Agatha Christie
book titles – I did spot some of them, but my dad spotted all of them. I loved the line professor Peach said ‘I
say, what are you doing with that lead piping’. The carachater of professor peach of course being the parallel with
professor plum from cludeo.
I have noticed a pattern when the Doctor takes his companions to see famous people from the past. Every single one of them
tries to fit in by speaking in the particular dialeckt for the time period. Rose began to speak to Queen Victoria in scottish,
Martha spoke to Shakespeare in old English and now Donna spoke ‘proper’ English to Agatha Christie. All to which
the Doctor has replied, ‘Don’t, no really, don’t’.
Once again, the Doctor and Donna are mistaken for a couple. The Doctor and Agatha Christie trying to solve a murdure myster
really is just the best combination. You watch this epsiode, and sometimes slip into thinking it’s a murder myster programme
like Proit or something, then you see the Doctor and…it’s just the best combination.
I find Donna one of the most interesting companions because her reactions to everything are so funny. She tells the Doctor
that solving a mystery with Agatha Christie is like meeting Charles Dickens surrounded by ghosts, at christmas, which, of
course, the Doctor has done. The she enquires if Noddy’s real. It was a really amusing scene. What happens all this
time in tha past is a compnaion slipping up and telling someone something from the past that hasn’t happened yet etc.
Donna gave away one of Agatha Christie’s book titles before she’d even written it. Then, only Donna would ask
to copyright it to Donna Noble. I’m surprised that Agatha Christie, being such a clever woman (she noticed that the
Doctor and Donna weren’t wearing wedding rings) that she didn’t pick up on the fact that they were from another
time. There are references to Proit which lead the Doctor on to think back to his time in Belgium (what was all that about?)
which makes the Doctor seem more real – we don’t get to see everythign that happens to him.
The alien in this episode was a giant wasp, which the Doctor and Donna chase they chase it, it doesn’t chase them.
There was a refference to Lance. Agatha talks to Donna about man trouble and that it’s always pretty young girls
who take them away and Donna says ‘mine was with a giant spider, but same difference’. She says it so casually.
When the Doctor drank the poison, it was one of the most interesting scenes – I was on the edge of my seat hoping
the Docotr woyld be okay. It was funny (because of Donna) and the acting was incredible. I think it’s quite hard to
throw your self around, making it appear that you’ve lost control of your body, but really you need to keep it under
tight control. But david Tennant is extra ordinary. He…need I say anymore. It was like a game of charades, then completely
unexpectidly Donna snogs the Doctor. None of the snog in Doctor Who have been because of love. The 9th Doctor snoged
Rose to take the vortex out of her. The 10th Doctor was snoged by Rose, but as casandra, the doctor and Rose never
got to have a proper snog. The doctor snoged Martha to but some of his alien cell or whatever into her so they could trick
the Judoon, and now Donna snoged the Doctor to give him a shock. A what a shock! I supose it was quick thinking. Then instantly
the Doctor’s better, and I love the way that although he’s covered in Ginger Beer he runs off like nothing’s
happened.
The scene at the dinner table with everyone running around in the thunder storm was chilling, because at that moment we
knew someone was changing, but we didn’t know who. When watching the episode a second time it helpful to see it from
a different point of view and acctually the vicar does give some guilty looks. However, I think it was more fun to watch it
the first time when we didn’t know who the killer was. The best thing about Agatha and the Doctor’s scene of deduction
was Donna comments. ‘is she the murderer?’ ‘so he’s no the murderer?’ ‘so she killed him?’
‘so she killed her?’ ‘who did I kill?’ ‘’so she killed them?’ ‘so she did
kill them?’ ‘so he killed them?’ ‘Yes?’ ‘definatly?’. It was a shock to see the
Doctor acuse Donna and Agatha Christie. Imagine if Agatha Christie was the murderer and what would the Doctor do if Donna
was the murderer? Now the wasp chases them. And a car chase in 1926 was fantastic, and the wasp was finally defeated by being
drowned, just like any ordinary was. I could go on about why the vicar turned into a wasp and the history of all of that,
but that would be another review of its own.
Doctor who does solve a lot of mysteries. For example why loves labours lost was never performed and now we know what happened
to Agatha Chrisite on the night she disappeared, and it all fits in with fact from the past. And maybe Murder on the orient
express would never have been written if it wasn’t for Donna mentioning it! Who knows!
A sad point to this episode was Agatha Christie saying that her books weren’t very good. She didn’t have much
faith in her self so to see the Doctor have a book of hers (with a giant wasp on) published in the year 5 billion was great.
My dad has a copy of that book, exactly the same, only not published in the same year. It’s a shame it didn’t
say copyright Donna Noble.
Favourite Bits – Donna asking about Noddy
The Doctor being poisoned and the Doctor solving the mystery.
Favourite Quote – "There’s a murder myster and Agatha Christie. That’s like meeting Charles Dickens
surrounded by ghosts…at christmas!"
"The thrill is in the chase, never in the capture!"
Rating – 9/10 the best episode yet!
